Ameni ShafikAlessio Filippelli is a dynamic and forward-thinking professional dedicated to innovation and growth in his field. With a strong track record of successful projects, Alessio is currently focused on developing cutting edge initiatives that reect his vision for the future.
Our recent conversation with Alessio revealed his passion for continuous evolution, not only in his work but also in the way he presents himself. His new image embodies sophistication, creativity, and a commitment to excellence, signaling an exciting new chapter in his career.
Whether pioneering fresh ideas or collaborating on meaningful ventures, Alessio remains an inspiring figure whose work continues to resonate across his industry.
VF: Alessio, your Vanity Fair cover is breathtaking and bold. What inspired this vision of breaking the chains and setting yourself free?
AF: It’s deeply personal. At 25, I’ve reached a point where I needed to release the weight of expectations, fears, and the labels imposed on me. Growing up as a gay man in Italy—a country where queer rights are nearly nonexistent—shaped me in ways I’m still unraveling. This shoot represents shedding that past, reclaiming my truth, and embracing my sexuality without fear. It’s about saying, nobody owns me. That’s a message I want others to feel empowered by, especially in a world where freedoms are under threat.
VF: What does it mean to navigate life as a queer person in Italy today?
AF: It’s challenging. Italy has this rich history of art, passion, and beauty, yet when it comes to LGBTQ+ rights, we’re stuck in another era. It’s not just the absence of marriage equality or adoption rights—it’s the silence, the lack of visibility. When you’re constantly told you’re less than, you begin to internalize that. I spent years hiding or downplaying parts of myself. But now, I’ve decided to use my platform to challenge that silence. That’s why this cover is important—it’s a declaration that queer love and sexuality are beautiful, bold, and deserve to be celebrated.
VF: This photoshoot seems to mark the end of a chapter for you. What does this new beginning look like?
AF: For years, I lived in a space that didn’t allow me to grow into the person I wanted to be. I was stuck in a cycle that felt safe but limiting. This new chapter is about stepping into the unknown, trusting myself, and starting over with a clean slate. It’s terrifying but liberating. I’ve learned that to set yourself free, you have to let go—even if it’s painful. That’s where real growth happens.
VF: You’re also stepping into new professional ventures, including producing your first movie. Can you tell us more?
AF: Yes! I’m so excited about this project. My friend, client, and collaborator Leah Pipes and I are teaming up to produce our first film together under our new production company. It’s been a dream of mine to create a space where art and activism intersect, and this film embodies that vision.
VF: Speaking of artistry, you’ve mentioned your relationship with fame is evolving. How do you see your role as an artist now?
AF: Fame is strange. It can be isolating, but it’s also a gift if used wisely. For me, it’s a responsibility. I feel a duty to speak to the people who look up to me, to give them hope and courage. This next phase of my life is about embracing my artistry fully. I think art should disturb the peace—it should provoke, challenge, and inspire. That’s what I aim to do, whether it’s through film, fashion, or any other medium I explore next.
VF: Content creator, talent, manager, producer—you’ve worn so many hats. Which role do you feel defines you best?
AF: That’s a tough question because every role I’ve taken on has been a reflection of where I was in my life. If I had to pick one, I’d say storyteller. Whether I’m managing talent, producing a film, or creating my own content, it’s always about telling a story that resonates. I’ve never liked being confined to one box. Creativity doesn’t work like that—it’s fluid, and so am I. That’s why I’ve embraced so many different paths. They all come together to build the bigger picture of who I am and what I stand for.
VF: You’re reinventing yourself and your image, stepping away from the concepts people have attached to you. Where does this need for freedom come from?
AF: For so long, I was told to fit into a box that didn’t represent me. Whether it was about my sexuality, my career, or even the way I expressed myself, I felt like I was constantly being shaped by other people’s expectations. But living like that isn’t sustainable—it’s suffocating. I’ve reached a point where I’m ready to close that chapter forever. Reinventing myself isn’t about becoming someone new; it’s about stepping into my true self and refusing to let anyone define who I am. Freedom, for me, is about authenticity—and I’m claiming that unapologetically. If I could associate the word “freedom” or what freedom means to me, with an animal, I would say the dolphin.
VF: You’ve described art as something that should “disturb the peace.” What does that mean to you?
AF: Art should be a mirror that reflects truth, even when it’s uncomfortable. It’s easy to create work that blends in, that doesn’t challenge the status quo, but I don’t believe in that. To me, art is a form of resistance. It should disrupt, provoke, and force people to think differently. Whether it’s a film, a photoshoot, or even this cover—it’s about making people stop and feel. If my work doesn’t spark a conversation, I’m not doing my job as an artist.
VF: With so much focus on freedom and empowerment, do you feel pressure to always be a role model?
AF: I don’t see it as pressure—it’s a privilege. I’ve been given a platform, and I believe it’s my responsibility to use it meaningfully. But I also remind myself and others that being a role model doesn’t mean being perfect. I’m still learning, evolving, and making mistakes, and for so long I was told that there was no space for mistakes. The most important thing is to stay authentic and share your journey, flaws and all. That’s what inspires people—not some idealized version of who they think you should be.
VF: You’ve spoken about the importance of visibility. Why is showcasing queer love and sexuality so crucial right now?
AF: Because the world is regressing. Rights we’ve fought hard for are being stripped away in places we thought were safe. Visibility isn’t just important—it’s essential. It’s about showing that queer love exists, that it’s beautiful, and that it’s powerful. The more we normalize it, the harder it becomes for anyone to erase us. This cover isn’t just a personal statement; it’s a political one. It’s saying: We are here, we are proud, and we are not going anywhere.
VF: If you could give one piece of advice to your younger self, what would it be?
AF: Stop trying to make yourself smaller to fit into someone else’s world. You are worthy of taking up space. Trust me—the moment you stop asking for permission to be yourself, the world opens up in ways you never imagined.
VF: How do you hope this cover and interview resonate with your audience?
AF: I hope it feels like an open door. I want people to see this and think, If he can own his truth, so can I. We live in a world that’s becoming more restrictive, not less, and I believe visibility is resistance. If this cover inspires even one person to live their truth unapologetically, then it’s done its job.
VF: What’s on your wish list for 2025?
AF: 2025 feels like the year of action. First, I want to see our production company officially take off and make an impact with the projects Leah and I are working on. I’d love to explore directing—it’s been a dream of mine. Personally, I want to travel more, especially to places I’ve never been. I think there’s so much growth that comes from being out of your comfort zone. But most importantly, I want to continue using my platform to amplify voices that deserve to be heard. If I can do all of that while staying grounded in who I am, then 2025 will be a success.
Credits:
Talent: Alessio Filippelli
Photographer: Big Raf
Editor: Ameni Shafik
Cover Look: Sprayground
Styled by: Raquel Deriane
Models: Eugenio Di Fraia & Alex D’alascio
Glam: Elisa Rampi using Haus Labs
Studio: Wallnut Studio